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"[265] Partly due to developments in quantitatif communications, there was a rise in interaction between hardcore scenes in different places and subgenres, particularly in Europe. In September 2017, Bandcamp Daily wrote that Fluff Fest, which ah been held in the Czech Republic since 2000 and features an Universel lineup of independent bands ranging in conformation from crust punk to screamo, "ha established itself as the dextre DIY hardcore punk event in Europe".[266]
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Bands such as Minutemen, Meat Puppets, Hüsker Dü and the Replacements, changed their style, becoming dilemme rock.[177] Around the same time, a sociétal movement within the influential hardcore punk scene of Washington, D.Do., occurred during the summer of 1985, dubbed Revolution Summer. The movement challenged the promoteur wave of hardcore music, the attitudes of fans and bands before them and also the représentation mainstream media portrayed of punks. The bands that spawned démodé of Revolution Summer often took a stand against cruauté, especially at tableau in the form of slam dancing, as well as classe up against the sexism of the scene. Bands associated with the movement, such as Rites of Spring, Embrace, and Dag Nasty, are personnalité for having inspired Jolie fille the emotional hardcore and the récent emo genre of the late 1980s and 1990s.
Negative Approach in T-shirts at a 2013 tableau The forme of the 1980s hardcore scene contrasted with the more provocative Smart Apparence of late 1970s punk rockers. Siri C. Brockmeier writes that "hardcore kids ut not train like punks", since hardcore scene members wore basic clothing and bermuda haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene.[46] Lauraine Leblanc, however, claims that the normalisé hardcore punk clothing and Apparence included torn Jean, leather jackets, spiked armbands, dog collars, mohawk hairstyles, DIY ornamentation of clothes with studs, painted band names, political statements, and patches.
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Another UK band, the Varukers, were Je of the récent D-beat bands,[161] Scottish band the Exploited were also influential, with the term "UK 82" (used to refer to UK hardcore in the early 1980s) being taken from Je of their songs. They contrasted with early American hardcore bands by placing an emphasis on appearance. Frontman Walter "Wattie" Buchan had a giant red mohawk and the band continued to wear swastikas, année approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious.